Studies in Popular Music
Edited by Martha Ulhôa, Cláudia Azevedo and Felipe Trotta
October 2014 | Routledge
Introduction
Analyzing Popular Sound: An Assessment of Popular Music Studies in Brazil
MARTHA ULHÔA
Part I: Samba and Choro
1. The Invention of Brazil as the Land of Samba: Sambistas and Their Social Affirmation
ADALBERTO PARANHOS
2. Choro manuscript collections of the 19th and early 20th centuries: written transmission of an “oral” tradition
ADALBERTO PARANHOS3. Samba and the Music Market in Brazil in the 1990s
FELIPE TROTTA
Part II: History, Memory and Representations
4. Historical Recordings of Wind Bands (1902-1927): Waltzes, Polkas and Dobrados in Brazil
DAVID PEREIRA DE SOUZA5. The Construction of Memory About The Oito Batutas
LUIZA MARA BRAGA MARTINS6. Fado in Rio de Janeiro: the Memory of Portuguese immigrants in Brazil
ALBERTO BOSCARINO
Part III: Scenes and Artists
7. Marks of a recent Antropofagia: the listening practices of the albums Acabou Chorare (Novos Baianos) and Selvagem? (Paralamas do Sucesso)
JORGE CARDOSO FILHO8. Cosmopolitanism and the Stigma of Tecnobrega Music
PAULO MURILO GUERREIRO DO AMARAL9. Chico Science & NaçãoZumbi: Hybridity and Experimentation in the Manguebeat Movement
HEROM VARGAS10. I Sing Everywhere: An Ethnomusicological Look at the Performance of Ney Matogrosso
SERGIO GAIA BAHIA11. Mixing in the Global Margins: The Making of Brazilian Drum & Bass
IVAN PAOLO DE PARIS FONTANARI
Part IV: Music, Market and New Media
12. Ethnomusicology in Cyberspace: Samplertropofagia and Virality in YouTube Videos
LUCIANO CAROSO13. Structural Transformations of the Music Industry in Brazil 1999-2009: The reorganization of the Record Market in the Digital Networks
LEONARDO DE MARCHI
Coda
14. From Roots to Networks: Listening To a World Called Brazil
LÚCIA CAMPOS15. Northeastern Brazilian music in New York City: Representations between Brazil and the United States
NATALIA COIMBRA DE SÁ
Afterword
Eletronic and acoustic modern MPB – A conversation with Lenine
CLAUDIA AZEVEDO and FELIPE TROTTA